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In the 1970s, researchers Kenneth Thomas and Ralph Kilmann proposed five general styles of resolving conflict, which can be aligned along two axes. If you measure the amount that you value the relationships involved in a conflict against the amount that you value achieving your goals in the conflict, you can plot where you fall on the Thomas–Kilmann conflict styles graph.
In this chart, the x-axis shows the “importance of relationship” and “cooperativeness.” If the chart is used to analyze a specific conflict, then the x-axis refers to how much the parties value their relationship.
EXAMPLE
A conflict between siblings would be far to the right in this chart; a conflict between classmates would fall farther to the left.If the chart is used to analyze an individual’s conflict style, then the x-axis measures cooperativeness, a behavior in which parties work together to achieve their mutual and respective individual goals.
The y-axis shows the “importance of achieving goals” and “assertiveness.” If the chart is used to analyze a specific conflict, then the y-axis refers to how important the outcome of the conflict is to the parties.
EXAMPLE
A conflict over the custody of a child would likely be near the top of the chart; a conflict over unloading the dishwasher would likely be near the bottom of the chart.If the chart is being used to analyze an individual’s conflict style, then the y-axis measures assertiveness, or a behavior in which a person confidently makes a statement without need of proof, affirming their rights without attacking another person.
Each of the five conflict styles will fall somewhere on this graph, depending on whether they involve high assertiveness, low assertiveness, high cooperativeness, or low cooperativeness. It can be useful to assess an individual conflict by looking at which conflict resolution styles are likely to be in play, given the relative importance of the relationship and the conflict goals to the parties. It can also be useful for a person to know what conflict resolution styles come most naturally to them.
The Thomas–Kilmann Conflict Styles Assessment is a commonly used assessment tool for determining a person’s preferred conflict style, which is the conflict style an individual most often or habitually uses. This tool is a short questionnaire that measures a user’s assertiveness and cooperativeness.
According to the Thomas–Kilmann conflict styles model, there are five different conflict styles:
Accommodating is a conflict resolution style in which one party helps meet another’s needs at their own expense.
The position of the accommodating style on the graph indicates that people who use this style are highly cooperative and willing to work with others. However, this style is low on assertiveness, meaning people who use it are less likely to speak up when something bothers them.
Avoiding is a conflict resolution style in which a party does not make any attempt to address or resolve the conflict.
As the chart shows, avoiding is low in both cooperativeness and assertiveness. People who use this style do not say how they feel and do not really work with others.
Competing is a conflict resolution style in which one party seeks to meet their own needs at the expense of another party’s needs. This is also sometimes known as forcing.
As we would expect, competing is high in assertiveness; people who use this style speak up about their wants or needs. However, this style is very low in cooperativeness.
Collaborating is a conflict resolution style in which parties work jointly to try to meet all of each other’s needs. This is sometimes also referred to as problem-solving.
On the graph, you’ll notice that collaborating is high in assertiveness because the party who is collaborating speaks up about their own needs. Collaborating is also high in cooperativeness, as this style involves a willingness to work with others in terms of their needs.
Compromising is a conflict resolution style in which parties agree to sacrifice some of their needs in exchange for having others met.
Therefore, a compromising style is right in the middle in terms of both assertiveness and cooperation.
Although the Thomas–Kilmann Conflict Styles Inventory is one of the best-known means of describing people’s conflict styles, it is only one of a number of models and inventories. Some scholars of conflict resolution point out that the Thomas–Kilmann instrument assumes that its users come from U.S. culture and hold American culturally derived assumptions and worldviews. It also assumes that Americans share a single culture regarding conflict, but the United States is very diverse, and there are many different communities with different approaches to conflict and conflict resolution.
EXAMPLE
The dominant American culture generally places a great deal of importance on individuality and independence, while some other global cultures and American subcultures strongly emphasize interconnection and community.Because the Thomas–Kilmann styles are based on American culture, they are based on the assumption that parties will frequently choose their own goals over maintaining the relationship; in other cultural contexts, this might rarely happen. Because approaches to conflict can vary between cultures, a U.S.-based model may not be effective when used to model conflict styles of people who don’t hold dominant American assumptions and worldviews.
There are other tools available to conflict resolution practitioners who wish to evaluate conflict styles from a less American perspective. These tools include the Intercultural Conflict Style Inventory, which interprets conflict style while taking cultural differences into account and may be more useful when addressing conflicts with cross-cultural elements.
As we discuss the five Thomas–Kilmann conflict styles in more detail, keep in mind that we are speaking primarily about the dominant American culture in these examples and scenarios. Conflict between parties from different cultures, or that takes place in a different cultural context altogether, may look very different!
Source: THIS TUTORIAL WAS AUTHORED BY MARLENE JOHNSON (2019) and STEPHANIE MENEFEE and TRACI CULL (2024). PLEASE SEE OUR TERMS OF USE.